Advances in Humanities Research

Advances in Humanities Research

Vol. 5, 29 April 2024


Open Access | Article

A Research on the Origins of Ritual Theatre in Eastern Asia: The Associative Development of Chinese Nuo Theatre and Japanese Noh Theatre

Kexu Chen * 1
1 Goldsmiths University of London

* Author to whom correspondence should be addressed.

Advances in Humanities Research, Vol. 5, 50-54
Published 29 April 2024. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Kexu Chen. A Research on the Origins of Ritual Theatre in Eastern Asia: The Associative Development of Chinese Nuo Theatre and Japanese Noh Theatre. AHR (2024) Vol. 5: 50-54. DOI: 10.54254/2753-7080/5/2024052.

Abstract

As a region with a significant agricultural industry, the ritual theatre of East Asia played an important role in the early drama of its origins. In addition, the trajectory of the early agricultural and religious cultural interactions in East Asian countries was decisive in shaping their national cultural roots, so exploring the different developments of ritual theatre among different countries on the basis of the history of early cultural interactions can help to provide a more explicit understanding of the cultural development of ritual theatre in East Asia. This research explores the trajectories of Nuo theatre in China and Noh theatre in Japan, broadly in terms of both agriculture and religion, summarises the similarities and differences between the developmental routes of Nuo and Noh theatre, and analyses the causes of the contemporary phenomenon of Nuo and Noh theatre moving along different developmental routes.

Keywords

Nuo Theatre, Noh Theatre, agricultural society, Shamanism, ritual theatre

References

1. Smith, T.C., & American Council of Learned Societies. (1959). The agrarian origins of modern Japan. Stanford, Calif.: Stanford University Press.

2. Tian, M. (2003). Chinese Nuo and Japanese Noh: Nuo's Role in the Origination and Formation of Noh. Comparative Drama, 37(3/4), 343–360.

3. Luppi, F. (2012). The Smart Wizard: Literature as a Lie, Theatre as a Rite (Giorgio Manganelli reads W.B. Yeats). Studi Irlandesi, (2), 125–141.

4. Qu, L. (1989). China's Nuo Theatre: Two Views. TDR, 33(3), 103.

5. Tian, M. (2003). Chinese Nuo and Japanese Noh: Nuo's Role in the Origination and Formation of Noh. Comparative Drama, 37(3/4), 343–360.

6. Pilgrim, R.B. (1989). The Japanese Noh Drama in Ritual Perspective. The Eastern Buddhist, 22(1), 54–70.

7. Anon. (2013). A Reassessment of the Place of Shamanism in the Origins of Chinese Theater. Journal of American Oriental Society, 133(1), 93–109.

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11. Goodman, D. (1973). Noh. The Classical Theater (Book Review). Books Abroad, 47(1), 223.

12. Ortolani, B. (1984). Shamanism in the Origins of the Nō Theatre. Asian Theatre Journal, 1(2), 166–190.

13. Abraham, R. (2015). Shamanism and Noh.

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15. Ortolani, B. (1984). Shamanism in the Origins of the Nō Theatre. Asian Theatre Journal, 1(2), 166–190.

16. Qu, L. (1989). China's Nuo Theatre: Two Views. TDR, 33(3), 103.

17. Okamuro, M. (2009). BECKETT, YEATS, AND NOH: ...but the clouds... as Theatre of Evocation. Samuel Beckett Today / Aujourd'hui, 21(1), 165–178,255.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
ISBN (Print)
ISBN (Online)
Published Date
29 April 2024
Series
Advances in Humanities Research
ISSN (Print)
2753-7080
ISSN (Online)
2753-7099
DOI
10.54254/2753-7080/5/2024052
Copyright
29 April 2024
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated